This Scandi bride wore a “quietly rebellious” dress for her Stockholm wedding – and arrived by steamboat

Model and writer Hanna Juzon doesn’t actually remember the first time she met her future husband, Acne Studios’s brand manager Pontus Björkman. The couple would have crossed paths in their youth, when Hanna modelled in an Acne Studios show in London, but didn’t realise until much later. “We properly connected through a mutual friend, a stylist I worked with in Stockholm, who invited me to a party,” says Hanna. “After that, we began following each other on social media, and the rest unfolded from there.”

The couple always knew that they wanted to get married, after Hanna first broached the subject casually while at the grocery store years ago, but it became an administrative task that they kept postponing. “We’d actually booked a wedding date years ago but kept rescheduling due to time constraints and other priorities,” she explains. “Eventually, after a gentle reminder from the Swedish authorities, we decided to go ahead. Rather than cancel it, we felt drawn to hosting something meaningful in our home, surrounded by our closest family and friends.”

It took just three months to plan their wedding, with their backgrounds in creative industries allowing them to have a clear shared vision for the day. “We knew that an intimate, personal celebration would only feel genuine if it was entirely ours – every detail chosen with care by us, for our closest people,” Hanna explains. The couple invited a friend, internationally acclaimed fashion photographer Aleksandra Modrzejewska-Mitan, to take the photographs, after initially thinking they would go without. “While discussing a future project, she offered to visit us in Stockholm for the wedding,” says Hanna. “She flew in just for us, and we couldn’t have been more grateful to have someone so talented, kind and dear to us document our day.”

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For her dress, Hanna knew that she wanted something that felt true to her personality and style, but was torn between her favourite designers. “When I saw the Gabriela Hearst gown for Chloé, I was instantly drawn to it,” she says of her 'Eureka' moment. “It felt majestic, playful and quietly rebellious – not your typical bridal look, which spoke to me, as I wanted a sense of personal anarchy running through an otherwise traditional process.”

As one of the pieces from her final collection for the fashion house, it also felt historic. “I admire her as a woman in fashion and her sense of style resonates deeply with my view on textiles and luxury,” she explains. “The dress appears extremely structured, yet it’s made entirely from silk jersey. It’s both hugging and soft, while carrying an incredibly charged, sculptural aura. I’m heavily drawn to this duality, and the minute I tried it on, I knew I could stop searching.” She matched it with vibrant accessories: an Acne Studios embellished bag and silver pumps from Bottega Veneta.

For her jewellery, she turned to friends and family. “My dear friends at Sophie Bille Brahe generously gave me some incredible pieces to wear,” she says. “Among them were 'Promenade de Coeur' earrings and 'Ensemble P' ring, that I wore as a quiet symbol for Pontus.” She paired these pieces with a vintage Cartier ring with a cabochon amethyst, the first ring Pontus had ever given her, and an aquamarine ring loaned to her by her mother, which became her something blue, old and borrowed all at once. “As a final touch, Pontus and I had my grandparents’ wedding bands resized for us, which my mother had carefully kept and prepared,” adds Hanna.

The groom wore a bespoke, made-to-measure Acne Studios three-piece suit. “It was perfect,” says Hanna. “He looked powerful and soft at the same time, with beautifully considered details that turned the suit into a quiet, elegant story of its own. He topped it of with embellished cowboy boots in burgundy and blue.” Guests were invited to interpret the cocktail dress code in any way they chose, which resulted in a real fashion moment. “It was an incredible display of creativity,” laughs Hanna. “One guest wore overalls, another arrived in a white silk Italian suit. There were endless colours, textures, and silhouettes.”

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Hanna opted to do her own hair and make-up, which took her about 30 minutes. The ceremony took place in front of just eight people at Stockholm City Hall, in a room Hanna describes as being “almost like a Game of Thrones setting.” “It lasted only five minutes, but those minutes were moving,” she says. “Afterwards, we met the rest of our guests at a harbour in central Stockholm, where an old steamboat was waiting for us. Pontus and I were the last to board, and it was one of the most emotional moments of our lives to be greeted by the people we love. The boat took us across to our house just outside Stockholm. From our deck, we led everyone up a long staircase to our garden, where the celebration began and continued through the night.”

A few weeks later, Hanna is thankful for how perfect it all was. “I never really dreamed of or strived for this kind of moment,” she reflects. “It turned out to be not just a wedding, but a celebration of the partnership we built together and the incredible group of people we’ve gathered in our lives. Taking the time on one day in your life to really listen to what the people you care about have to say about you – it’s rare, and so deeply meaningful.”