All of Pamela Anderson’s killer looks on ‘The Naked Gun’ press tour

Thirty-six years after the original cult classic had audiences doubled over with laughter, The Naked Gun is back - revived by Paramount Pictures as the latest instalment in its beloved series of pun-laced, innuendo-rich comedies. This time around, it's Liam Neeson stepping into the chaotic shoes of a police officer, as he portrays Frank Drebin Jr. (the son of Leslie Nielsen's original character). And whilst we are undenaibly eager to witness his deadpan delivery and comedic timing, another scene stealer is demanding our undivided attention: Pamela Anderson and her press tour style.

Related: “I’ve never been opposed to glam!” Pamela Anderson on her “playful” beauty U-turn

In a surprising yet entirely welcomed shift, Anderson has emerged as an unexpectedly elegant fashion darling of the promotional circuit. Gone are the days of skin-baring ensembles and her signature bombshell Baywatch image. Now, we are offered a wardrobe that speaks to poise, polish, and striking reinvention. This is Pamela 2.0, a vision of quiet confidence and graceful style, and we are loving it.

From softly tailored silhouettes to minimalist gowns and tasteful monochromatic moments, Anderson's looks feel considered, serene and refreshingly self-assured. The hallmarks of her past (plunging necklines, bodycon fabrics, and over-the-top glamour) have been replaced by pieces that whisper rather than shout. They lean into a sense of old-Hollywood romanticism with contemporary twists that simply leave us wanting more of this new persona.

Whilst the return of The Naked Gun may promise slapstick laughs, absurd plotlines, and innuendos that will make us cringe in our seats, Anderson's fashion evolution is delivering a far more nuanced spectacle - yet this one takes place on the red carpet, not the silver screen.

Below, we round up all of the sartorial statements Anderson has served whilst jet-setting across the globe, championing this new chapter in American crime-spoof cinema.

In London, Anderson began her streak of standout press tour looks with a custom creation by esteemed American label Rodarte. Leaning into a jewel-toned palette that would become a signature for the tour, Anderson chose a striking violet silk chiffon gown that embodied both softness and spectacle.

The dress featured ethereal draping and a graceful train that trailed behind her, adding a dose of old Hollywood glamour. The vivid hue, combined with the gown's fluid silhouette, made for a romantic yet confident statement - one that perfectly aligned with Anderson's evolving aesthetic.

She completed the look with a pair of classic Jimmy Choo heels and delicate jewellery from Pandora, the brand for which she serves as an ambassador. Altogether, it was a look that blended cinematic drama with modern elegance.

For the Berlin leg of the press tour, Anderson elisted the refined craftsmanship of American designer Danielle Frankel. On the pink carpet, the star was a vision of modern elegance in a customer emerald ensemble that felt both sculptural and fluid.

The look featured a structured peplum bustier, paired with a coordinating floor-length skirt, both meticulously constructed from hundreds of hand-draped, bias-cut strips that created movement and texture with every step. The deep jewel-tone played beautifully against Anderson's fresh beauty, elevating the drama of the silhouette without overpowering it.

She completed the ensemble with a matching scarf, artfully draped across her décolletage, adding an air of old-world glamour with a contemporary twist. A pair of monochromatic heels peeping out from under her flowing hemline offered the final touch to a look that struck the perfect balance between softness and structure.

Whilst promoting The Naked Gun on home turf, it felt only fitting that Anderson turned to the creative vision of an iconic American designer. For the film's New York premiere, Anderson stepped out in a striking midnight navy duchess satin gown by Thom Browne - a designer celebrated for his subversive tailoring and theatrical elegance.

The gown was a masterclass in refined drama, featuring a demure front offset by a plunging, yet tasteful, open back adorned with delicate bow detailing. To complement the silhouette, Anderson styled her look with matching cropped navy gloves, adding a touch of vintage glamour.

Staying loyal to the designer from head to toe, she completed the ensemble with a pair of Thom Browne's black patent wingtip pumps - a nod to classic menswear, even though they remained mostly hidden beneath the sweeping hem of her skirt.