Culture / Society

“Painting while pregnant was different”: Artist Camilla Engström on preparing her ambitious new show whilst preparing for her first child

By Camilla Engström

Photo: Cameron Richards

Swedish artist Camilla Engström’s paintings – lyrical landscapes in vibrant hues – evoke notions of femininity and the female form. In preparing for her latest show, Två Hjärtan (Two Hearts), which opens at Hospitalet in Stockholm this Thursday, those themes take on a deeper, more personal meaning as the artist prepares to welcome her first child. Here, Engström pens a personal essay about painting, pregnancy and preparing for this unmissable exhibition

I’m just shy of nine months pregnant, and everything feels daunting. The baby bassinet is still in its box, along with the stroller. The car seat is tossed in the back of my car, still wrapped in bubble wrap. Most things remain unopened, untouched. I thought I would feel more prepared by now – this is my first child, after all – but instead, the art show and home renovations took over.

We bought a new home, a charming fixer-upper that’s still far from done. Cameron’s parents are on their way here as I write, coming to help us get a functioning kitchen – and to help us hang some doors. Doors would be good to have. We ordered doorknobs, but of course, the wrong kind. I’ve read that the brain shrinks to more easily bond with the baby while pregnant and I feel that. 

Camilla Engström's studio whilst preparing for her exhibition 'Två Hjärtan' at Hospitalet. Photo: Camilla Engström

Photo: Camilla Engström